Computational Chant

Context and First Mention

Computational chant is described as a system of vocal performance used by avout (cloistered scholar‑monks) to perform computations on patterns of information by transforming a given string of notes into new melodies according to cellular automata (rule‑grid evolution) rules. It is active during the Convox (mass avout convocation) being hosted at the Concent of Saunt Tredegarh (walled scholastic monastery), where multiple groups demonstrate or react to it. A solo rendering provokes audible interest among the Thousanders (millennial cycle order), and another order from nearer the equator performs its own computational chant with markedly different modes.

Description and Method

  • Purpose: Carry out formal transformations—“computations”—on a musical seed by following an explicit rule set while singing.
  • Mechanism: The chant permutes a base melody in real time using rules defined in the formalism of cellular automata (rule‑grid evolution). The result is a sequence of derived phrases that encodes the computation’s progress.
  • Practice: Some maths treat it as a training game and mnemonic exercise; others cultivate it as a serious working method.

Origins and Transmission

  • Post‑reform invention: After the Second Sack (reform era) removed ordinary computing devices from maths, newly computerless avout devised computational chanting as a way to continue certain kinds of work without machines.
  • Lineage variation: At the Concent of Saunt Edhar (northern mathic complex) it endures as a well‑taught exercise and “children’s musical game” for the Edharian line; at Orithena (ancient learning center) the Orithenans (scholars of Orithena) have recently “been doing new things with it,” applying it to solve a specific problem (not described in detail).

Noted Uses at Tredegarh’s Convox

  • Formal setting: During a ceremonial induction at the Convox, each arriving contingent contributes a musical piece; several selections are explicitly computational chants.
  • Reaction and continuity claims: A minimal solo computation draws attention from the Thousanders. An equatorial order then performs a more elaborate computational chant and declares, in a closing coda, that their performance continues a single, ongoing computation that has been maintained for thirty‑six hundred years.

Relationships and Associations

Current Status

Computational chanting is in active use among multiple orders present at the Convox and is presented both as pedagogical practice and as a live working method. Specific problem statements being addressed by Orithena‑aligned practitioners are not disclosed in available accounts.

Summary:

A rule-driven vocal method used by avout to carry out formal computations by permuting a melody under cellular-automata rules. It is currently attested at the Convox in Saunt Tredegarh and is associated with Orithena’s practice as well as with other orders that maintain long-running sequences.

Known as:
computational chantcomputational chanting